Fun With Photocopy Machines
Last week I posted this blog entry about the charcoal drawings I made from photocopies of my face. In the process of that little project I took about 75 photocopies of my face and hands getting material to draw. I uploaded some of my favorite outtakes to flickr.
Vinegar Boy
Yesterday I came accross an incredible story on CustomersSuck! that’s definately worth a read. It was posted by a guy who worked at a gas station. His tale begins with a hysterical lady entering the store and ranting incoherently at him while waving around what looked to be a half empty bottle of liquor.
I had no idea what she was on about and, before I could find out, the police arrived – but I hadn’t called them!
Now, I know nearly every cop within fifty miles of my site (I call them all often enough), so when they come in, I greet them by name and they do the same back and tell me they’ve been called here because of allegations I’ve poisoned a small child.
Wuh?
The crazy lady identifies herself as the kid’s parent and tells them I poisoned her lad. To avoid describing twenty minutes of ranting and gibbering on the woman’s part, I’ll cut right to the chase.
I had sold a 1L bottle of malt vinegar to a kid (about fifteen years old) that morning and he had taken the bottle home and drunk half of it – yes that’s right, he had drunk vinegar. Of course, he got sick as a dog and “redecorated” the walls and floor of several rooms.
[No, I do not know why a teenager, who should be old enough to know better (and be at school too, for that matter) would drink half a litre of malt vinegar.]
At this point the cops and I exchange looks and one said, “Damn Aaron, and we all thought you had finally snapped.” Ha ha. There’s always a comedian.
From there the story gets really weird. Read it here.
Courtroom Sketch Artists
David at Ironic Sans has an interesting post today profiling seven different courtroom sketch artists, and their work outside the courtroom.

Caldwell Mystery Thread
Caldwell, NJ – August 2, 1970 – Neighbors of Mr. and Mrs. Smith at 85 Forest St. reported a silver thread dangling from the sky right above the Smith’s home. Neither the police nor other visitors who came to see the thread could figure out what it was or where it was coming from. It stayed hovering around the houses in the area for a week before it disappeared. Supposedly a piece of the strand was taken to DuPont for analysis, but they were unable to determine the origin.
From Weird NJ
Video Scratching
Video Scratching is a video editing technique where an artist cuts up video from various sources and edits them togething into a rythmic sequence, sometimes adding a beat and instrumentals to the audio.
Years ago I had a VHS tape of a group called Emergency Broadcast Netowork (EBN) who pretty much pioneered the art of video scratching. I don’t know what happened to that tape, but luckily nearly all the videos are available on YouTube.
They gained the most notoriety for a video they did of George Bush Senior performing the Queen song We Will Rock You.
One of my favorites is this track, titled Get Down.
A recent favorite video scratch of mine is Aaron Valdez’s Big Screen Version:
A YouTube user by the name of Rx2008 has been posting some wonderful, fresh video scratches. Here are a few:
GW Bush covers REM’s End of the World:
Tony Blair covers The Clash’s Should I Stay or Should I Go:
Bush and friends cover John Lennon’s Imagine:
Culture Jamming on the Internet- Part I
The origin of the term ‘culture jamming’ is credited to the band Negativeland, but the philosphy and aims of culture jamming go back (at least) to the 1960s with the pranks of Abbie Hoffman, Joey Skaggs and others.
Wikipedia lists the aims of culture jamming:
- To create a contrast between corporate or mass media images and the realities or perceived negative side of the corporation or media. This is done symbolically, with the “detournement” of pop iconography.
- To renew civic engagement and social connectedness through shared radical ideas.
- To reawaken a sense of wonder and fascination about one’s surrounding environment, inspired by the frequent intentional ambiguity of a specific culture jamming technique, which stimulates personal interpretation and independent thinking.
An excerpt from Negativeland’s radio broadcast, Over the Edge, sheds more light on what is meant by culture jamming:
“The cultural jammer works his secret in public, the skillfully reworked billboard with new lettering painted in the same style that the original has, turning strategic corporate elements back on themselves in a manner which is itself, invisible, directs the public viewer to a consideration of the original corporate strategy in the context of a thoughtful reaction. The studio for the cultural jammer is the world at large, his tools are paid for by others, an art with real risk. You people still painting out there – all you crazy stonecutters: Would you go to jail for your art? Well?!”
For part I I’m going to focus on some of the more well known culture jammers on the internet.
Encyclopedia of Life

I’ve been waiting for Edward O. Wilson’s Encyclopia of Life to open for about a year, and the wait is finally over.
From the website:
The Encyclopedia of Life (EOL) is an ambitious, even audacious project to organize and make available via the Internet virtually all information about life present on Earth…
The EOL dynamically synthesizes biodiversity knowledge about all known species, including their taxonomy, geographic distribution, collections, genetics, evolutionary history, morphology, behavior, ecological relationships, and importance for human well being, and distribute this information through the Internet. It serves as a primary resource for a wide audience that includes scientists, natural resource managers, conservationists, teachers, and students around the world.
There isn’t a ton of content yet, but the site has some nice features such as presenting information for a general audience, or for experts. A sliding bar on each page lets you reduce or increase the amount of information presented to you on a single page. Also, the photographs are all either under a creative commons license, or have no license at all.
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